The Emergence of the Brain-Computer Interface

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Over the past decade, great advancements have been achieved in the development of artificial intelligence, nanotechnology and electronic brain sensors. Successes of systems like the Oculus Rift indicate that we are rapidly approaching a time in which our realities can be greatly augmented in accordance to our whims. Perhaps Ray Kurtzweil’s bold suggestion of “The Singularity”, the moment at which technology becomes self-aware, is entirely feasible.

A brain–computer interface (BCI), sometimes called a mind-machine interface (MMI), direct neural interface (DNI), or brain–machine interface (BMI), is a direct communication pathway between an enhanced or wired brain and an external device. Read an article on the Kurtzweil website describing some of the science behind this exciting new technology below:

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The BCI can have some very useful and positive applications. They are often directed at researching, mapping, assisting, augmenting, or repairing human cognitive or sensory-motor functions. Scientists at the University of California in San Diego have developed a BCI system to find mines in sonar images of the ocean floor. The study shows that the new method speeds detection up considerably when compared to existing methods—mainly visual inspection by a mine detection expert. Read the full article:

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The development of this technology raises some ethical concerns, such as issues regarding consent, privacy, personal responsibility, potential personality augmentation, mind-reading/mind-control, advanced interrogation techniques and selective enhancement. Read an article outlining some of the key ethical issues with BCIs below:

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WAG and Národní galerie v Praze

This is an analysis, compare and contrast of the websites representing the Winnipeg Art Gallery, or WAG, and the National Gallery in Prague, or Národní galerie v Praze. Both are well–established municipal galleries, thus the sites are professional, well–designed and content–heavy. Like any museum or gallery site the focus is primarily on the programming, with featured exhibitions occupying the majority of the main page. While the WAG primarily features visual art, the National Gallery in Prague often features other artistic expressions.

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The WAG site features a generally clean layout. Navigation is simple and logical: drop down menus under clear main categories are found in the header at the top of the page, with additional information at the footer. They have included a site map and a search feature. A nicely tiled set of highlights occupies the majority of the homepage. The colours and design are slightly cheesy, but overall the site serves its purpose very well.

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The Národní galerie v Praze site has considerably more content on the home page. Highlighted events/exhibitions slide automatically in a large rectangle, under which is a permanent exhibitions section, an e-shop section, a news section in a side bar and a video. The footer is confusing, and although it says “useful links” there are no links. The design look nice, but overall it is too busy.

Wanda ‘n’ Ted

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Wanda Koop is arguably Winnipeg’s most famous living graphic artist. Her work spans over 40 years, and she has had over 50 solo exhibitions worldwide. Because of her prolific career and the importance of her work, her website not only serves as a “portfolio” site but also as an extensive CV, or a life bio. That said here is no shortage of images, most of which are shot in the context of gallery exhibitions. Considering the amount of content, the site is easily navigable and has a clean, classy feel.

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Ted Barker is a Winnipeg artist who specializes in hyper-realistic drawings and paintings. His portfolio site is powered by Carbonmade, a free, easy-to-use online portfolio provider run by a bunch of zany youngsters. The site is extremely minimal. Perhaps he intentionally chose a decisively illusive theme, but it offers no artist bio, upcoming events or contact information. Perhaps he is a true artist who is unconcerned with exposure or his online public persona. Actually I know that this is the case.